
A cut that holds
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing worksALEXANDRU BORDIAN is a small studio for video editing and photo finishing. We cut your footage into a film that holds attention, grade it to feel like a film, and deliver it on the day we promised — not the day we get around to it.
One email thread from first brief to final files.
One person answers your emails, not a queue.
You know the price before a single frame is cut.
You talk directly to the person doing the work.
Everything else we do grows out of these. Each project starts with a written brief and a quote you can actually plan around.

Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
ALEXANDRU BORDIAN is a one-person post house, run by ALEXANDRU BORDIAN out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We don't chase volume. We take on a handful of projects each month, write everything down, and finish what we start. That's the whole method.
Masters, formats, captions and a summary of what changed, on the day we promised.
Send links or files plus the goal and the date. We answer with the questions that change the quote.
We write down what we will and won't do, confirm the footage list, and lock the deadline before any work starts.
Final payment, master files, and every format and caption you asked for.

Rhythm, coverage and restraint — a practical look at what actually reads as cinematic.
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The scenes that need nothing, and how to know the difference between restraint and laziness.
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How to tell where the light is coming from before you start smoothing, and why it matters.
Read the pieceFixed quote, fixed date, finished film. The process was so quiet I kept checking the calendar to make sure it was real.
The grade made our brand film finally look like the one in my head. One fixed quote, one delivery, zero surprises.
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Send the brief and the date. You get a written fixed quote back within 24 hours.